![]() Also with the labyrinthian layout of Novalis, navigating to package delivery waypoints can prove frustrating and confusing. The up close character designs look less amazing, especially since the developers have added a first person mode. ![]() The sheer size and variability in the floating city with that look adds a layer of immense depth. The art design is a sleek voxel look that when shown in a mass metropolis, feels grand. It’s as if someone had amassed bite sized tales from the future and combined them into a loose fitting narrative, which works just as much in its favor as to its detriment. Getting small morsels of independent story beats between deliveries is the most interesting part of Cloudpunk. Discovering rogue cult AI or drunken futuristic race car drivers are all part of the package that is this megacity in the clouds, and it’s quite the package indeed. The individual stories of Novalis are what drive the narrative. Rania is accompanied by her lovable dog AI Camus, and together they circumvent the dangers and thrills that Novalis brings while also interacting with the shady inhabitants of every walk of life the city has to offer. From there, it’s an ongoing series of jobs that lead to mystery and intrigue the likes of any detective thriller. Rania is new to the mega city of Novalis, and with only a few credits in her pocket, signs up for illegal delivery and taxi company Cloudpunk. The story of Cloudpunk follows Rania and with the DLC, a secondary protagonist Hayse. ![]() Playing a cab driver in this world brings interesting twists and turns in a Noir genre that’s befitting, but calls into question the nature of storytelling in videogames. The most accurate comparison is the world of The Fifth Element – lots of smog, rampant street drugs, and classism based on the cloud layers. Conversations About the Nature of StorytellingĬloudpunk and it’s accompanying City of Ghosts DLC are stories around a futuristic city in the sky, but not an idealistic one.
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